Nonfiction – History – African American & Black – Biographies & Autobiographies – Memoirs – Cultural & Regional

Published: 10/1/2024

A New York Times Editors’s Choice | A New Republic Best Book of the Fall

“[An] extraordinary new work of history and memoir . . . Unforgettable.” Gabriel Bump, The Washington Post

“An extraordinary achievement in narrative nonfiction.” Hamilton Cain, Minneapolis Star-Tribune

A lyrical meditation on how Black Americans have envisioned utopiaand sought to transform their lives.

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertsons exploration of Black Americans’ efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroitthe city where he was born, and where one of the countrys most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrines chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrines members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the countrys largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrines story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians offers a nuanced portrait of the struggle for spacesboth ideological and physicalwhere Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the makingone that points the way toward radical alternatives for the future.

AUTHOR BIO:

Aaron Robertsonis a writer, an editor, and a translator of Italian literature. His translation of Igiaba Scego’sBeyond Babylonwas short-listed for the 2020 PEN Translation Prize and the National Translation Award, and in 2021 he received a National Endowment for the Arts grant. His work has appeared inThe New York Times,The Nation,Foreign Policy,n+1,The Point, andLiterary Hub, among other publications. He lives in Brooklyn, New York.

“[An] extraordinary new work of history and memoir . . . An unforgettable history of seemingly impossible yet worthwhile dreams.”–Gabriel Bump,The Washington Post

“[Robertson] dodges the pitfalls of nostalgia and sentimentality; his anecdotes crackle with immediacy . . . Layered and probing, studded with germane autobiography,The Black Utopiansis an extraordinary achievement in narrative nonfiction.”–Hamilton Cain,Minneapolis Star-Tribune

“[A] captivating exploration of Black utopian movements in the United States. Robertson weaves together memoir, history, and social analysis, tracing the efforts of African Americans to create self-sufficient communities and escape systemic oppression.” –The New Republic

“A genre-bending debut . . . The personal and the collective are seamlessly blended in this sweeping yet intricate book that excavates the past and imagines a different future.”–Oprah Daily

“The Black Utopiansprovides a refreshing and in depth reinterpretation of the Civil Rights and Black Power periods . . . Robertson engages with serious and important themes without being didactic or heavy-hearted. On the contrary, the knowledge shared within the pages of this book is quite freeing and liberating.”–Essence

“Interesting and idiosyncratic . . . A meaningful contribution to the wider literature on American utopianism . . . Original and compelling.”–John Jeremiah Sullivan,The New York Times Book Review

“Ambitious and captivating . . . Robertson paints a vivid and beguiling picture of the indomitable human yearning for a safe and nurturing home. It’s a must-read.”–Publishers Weekly(starred review)

“Fascinating and resonant.”–Booklist(starred review)

“Inventive . . . A fresh perspective on Black history.” –Kirkus Reviews

“This enticing mix of personal and general history of Black utopian safe spaces promises to engage readers interested in reckoning with the past and present of Black American experiences and milestones.”–Library Journal

“At a time when signs of dystopia and despair abound,The Black Utopianstakes us on a journey to a place–as much inside as around us–where stubborn hopefulness pushes back against the sirens of impossibility. In these pages, utopia is not fanciful and fleeting escapism, but the sweat-soaked soil of freedom dreams and fugitive imagination–nowhere and everywhere at once.”–Ruha Benjamin, author ofViral Justice: How We Grow the World We WantandImagination: A Manifesto

“An entrancingly rich odyssey of observation and storytelling,The Black Utopiansreturns us to forgotten and unknown histories of the ongoing search for a fairer, more equitable America. Aaron Robertson reminds us that integral to Black struggle has been an unbreakable sense of hope, resistance, and joy.”—John Keene, National Book Award-winning author ofPunks: New & Selected PoemsandCounternarratives

“A richly braided and beautifully written account that combines history, personal memoir, and journalism to explore the search for a black utopia. Robertson’s tone is elegiac and lyrical, his method grounded in colorfully detailed characters and painstakingly reconstructed examples. This wise and often moving book offers both a slice of a particular utopia as well as a more general portal onto the quest for a better world that has propelled so much human history. A deeply original and major contribution to the literature of utopia.”–Akash Kapur, author ofBetter to Have Gone: Love, Death and the Quest for Utopia

“In this stunning narrative, Aaron Robertson beautifully unveils the hidden spirit of Black utopian yearnings. By telling the forgotten story of the important Detroit pastor, Albert B. Cleage, Jr. and the Shrine of the Black Madonna, which he led, and the 1960s Black freedom struggles, with which he was affiliated–The Black Utopiansdeftly shifts from intellectual history to cultural critique to personal memoir. In doing this, Robertson answers a profound question: what does it mean to be free?The Black Utopiansis thus more than just a gripping story; it is an indispensable resource for all those who dream of horizons, and who imagine unimaginable worlds.”–Alex Zamalin, author ofBlack Utopia: The History of an Idea from Black Nationalism to Afrofuturism